Art history and sex and desire

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Sexuality in Art

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BBC - Culture - The Victorian view of same-sex desire

The Falconer is less well known, but the few studies that discuss the print dismiss it too easily, thereby misinterpreting it. Both works are part of a complex cultural history of sexuality that is just now being written, which explores the conceptualization of heterosexual and homosexual desire, and shows how they became constructed as opposites in the West, with one defined as the norm and the other as deviance. Unable to display preview. Download preview PDF. Skip to main content.
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The Victorian view of same-sex desire

The topic of sexuality in art history can be approached in a variety of ways but perhaps the most valuable one in terms of a foundational topic for a survey art history lecture is the convention of female nudity in art. Tracing this convention through the history of art will enable you to cover issues of sexuality, gender, and power with your class. Additionally, you can spend time looking at the ways in which modern and contemporary artists have responded to the trope of female nudity in order to break with past conventions, and the ways in which feminist and queer artists and artists of color have developed new approaches to this tradition from a position of marginality. The first part of the lecture will review the tradition of female nude in western art history, and introduce concepts of objectification and the gaze. Students will become familiar with the influential scholarship of John Berger, Laura Mulvey, and bell hooks to gain skills for analyzing the gender and racialized constructions of sexuality.
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Manchester University Press Bolero Ozon. Michael Hatt , Charlotte Klonk. Art History: A critical introduction to its methods provides a lively and stimulating introduction to methodological debates within art history. Offering a lucid account of approaches from Hegel to post-colonialism, the book provides a sense of art history's own history as a discipline from its emergence in the late-eighteenth century to contemporary debates. By explaining the underlying philosophical and political assumptions behind each method, along with clear examples of how these are brought to bear on visual and historical analysis, the authors show that an adherence to a certain method is, in effect, a commitment to a set of beliefs and values.
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